- Freeload: Fat Bastard, "It's Going Down"
- Freeload: That Ghost, "When There's No One Else to Sing to, You Sing to Yourself"
- Freeload/Video: Josh Reichmann Oracle Band, "Ancient Bloody Paradise (I Miss You)"
- YouTubes Of People Enjoying Music From The New Issue Of The FADER
- FADER TV: Behind the Scenes at Santos Party House
- Video: Jay-Z, "Brooklyn Go Hard"
- Freeload: Tame Impala, "Half Full Glass of Wine"
- Video: The Pains of Being Pure at Heart, "Everything With You"
- Ghetto Palms: Coupe Decale II / New Documentary
- Video: Busta Rhymes, "Arab Money"
THE FADER MAGAZINE
Current Issue #58To celebrate The FADER's 10th Anniversary we chose two cover artists that represent everything we're about: idiosyncratic superstar Kanye West and No Age, the little band that just keeps on chugging. In addition we've put together a list of culture-mongers, influencers and selectors that keep us excited about the field we're in. From the dudes that run Santos Party House, to Bounty Killer to the Family bookstore in Los Angeles, to name a few. We've also got a feature on producer/remixer Erol Alkan, a photo essay following Ireland's Joyriders and Gen Fs on Ron Browz, The Big Pink, DJ Mujava, The Muslims and more.
F2
The FADER's new digital-only quarterly publication powered by Timberland focusing on how classic genres are being reexamined and reinterpreted in 2008.
COLUMNS
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FADER TV
The best music television on Earth
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FADER MAGAZINE
Cover stories and features from our archives
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STYLEE FRIDAYS
Listen to Chioma, You Will Look Better
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SLEPT ON
Schnipper's Underrated Gems
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PRANCEHALL'S BASS ODYSSEY
What's good in grime and bassline
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GHETTO PALMS
Dancehall and the Ghetto Archipelago
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DOLLARS TO POUNDS
Rock and Pop from across the pond
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FREAK SCENE
The Week in Weird (archive)
FADER/SOUTHERN COMFORT 7" SERIES
Number EightCheck out the latest edition of our FADER/Southern Comfort limited edition 7-inch featuring Telepathe and 77Klash.
Artwork by Dash Shaw
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Megapuss Revealed or: I Believe Your Dick Skirt Is Caught on My Microphone
The band kept from taking shit too seriously by having Aziz Ansari sing “Duck People, Duck Man”—a ridiculous song about not being racist against the Duck Man. “They threatened anal rape if I didn’t sing this,” he said. “Crop Circle Jerk ‘94”—the only other song on the band’s MySpace, was probably the most accomplished song of the night, but all of the new ones held some kind of promise.
A highlight was the total slow burner “Chicken Tits,” with Devendra wailing a wicked Frankie Valli falsetto against Greg’s Waitsian croon. Then they ripped through a honky tonk number about an old lady making it in Los Angeles called “Hollywood.” The evening was classed up a bit when a harpist took the stage and a conch was blown for “Surfin,” which Devendra announced was the title song of their upcoming debut.
Underneath all the silly shit you could hear a legitimate band of talented musicians, capable of effortlessly tossing off the finest in California-style tambourine jams. Still, most songs lasted less than two minutes and there were disembodied dicks projected on the screen behind them as part of photographer Lauren Duckoff’s display. The rest of the images were mostly of Devendra and his gang, many of which were made into paper dolls which floated around the screen.
It was a comfortable show, with the band emanating a feeling of inclusion that kept the crowd rapt throughout the shambolic set. Devendra announced, “We normally do this in my living room, but if we were at my house you’d all be naked.” Afterwards the band hung around to hug audience members and take pictures with their celebrity friends.