On her return to songwriting, Eiko Ishibashi provides an elusive soundtrack to the end of the world as we know it on 'Antigone.'
Big Ears 2025 takes over Knoxville, Tennssee this weekend, and the lineup is so stacked, you won't be able to see everything the festival has to offer. Here are the toughest calls we'll be making.
The new album from Lucy Liyou, Every Video Without Your Face, Every Sound Without Your Name, responds to cascading heartbreak with resilience.
An interview with Japanese artist Ichiko Aoba about studying with Anmi Yamada, diving, and the inspiration behind her album ‘Luminescent Creatures.'
An interview with Youth Lagoon, whose new album ‘Rarely Do I Dream’ looks for the truth behind childhood memories.
On ‘End of the Middle,’ English singer-songwriter Richard Dawson chooses domestic drama over the fantastical sagas of his earlier work.
An interview with Mexico City rock band Diles que no me maten, who make improvisational, jazz-tinged rock in a bubbling local scene.
New York rapper MIKE’s new album ‘Showbiz’ is a tale about touring and the stark realities of life as a working artist. Read The FADER's review here.
Argentine experimental pop/rock star Juana Molina put on a near-perfect performance at Mexico City’s Foro Indie Rocks! last week. Read our review.
Read our scene report of Damian Lazarus’ Day Zero festival in Tulum, complete with a swimmable cenote and sets from Fatboy Slim, Major League Djz, and more.
From Kendrick Lamar's “Not Like Us” to Tinashe's “Nasty,” these are the songs we had on repeat this year.
skaiwater, Cindy Lee, and DJ Anderson do Paraíso’s sound nothing alike, but each flaunts convention in their own way,
